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Wednesday, 28 September 2011

Awakening the great which I felt about a year ago

Great awakening. I am you and you are I. You are who I am and I am who you are. You will read this and you will regret this; at least it is what you will think.
· · a few seconds ago


Einstürzende Neubauten - Halber Mensch excerpt

Einstürzende Neubauten - Halber Mensch excerpt

 

 

 


 

L

와라 

n찾기n

n

찾기

CHAAT-GI

KOREAN NOISE BAND

MAXAM
MAX TREVOR
SAMIN SON

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Catalogue None Gallery





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MAXXAM TREVORROVERT I LOVE YOUUOY EVOL I

MAXXAM TREVORROVERT  I LOVE YOUUOY EVOL I
MAXXAM TREVORROVERT  I LOVE YOUUOY EVOL I
MAXXAM TREVORROVERT  I LOVE YOUUOY EVOL I
MAXXAM TREVORROVERT  I LOVE YOUUOY EVOL I
MAXXAM TREVORROVERT  I LOVE YOUUOY EVOL I
MAXXAM TREVORROVERT  I LOVE YOUUOY EVOL I
MAXXAM TREVORROVERT  I LOVE YOUUOY EVOL I
MAXXAM TREVORROVERT  I LOVE YOUUOY EVOL I
MAXXAM TREVORROVERT  I LOVE YOUUOY EVOL I
MAXXAM TREVORROVERT  I LOVE YOUUOY EVOL I
MAXXAM TREVORROVERT  I LOVE YOUUOY EVOL I
MAXXAM TREVORROVERT  I LOVE YOUUOY EVOL I
MAXXAM TREVORROVERT  I LOVE YOUUOY EVOL I
MAXXAM TREVORROVERT  I LOVE YOUUOY EVOL I
MAXXAM TREVORROVERT  I LOVE YOUUOY EVOL I
MAXXAM TREVORROVERT  I LOVE YOUUOY EVOL I
MAXXAM TREVORROVERT  I LOVE YOUUOY EVOL I

POP GROUP WE ARE TIME

WE


POP
POP
POP


POP



ALL

DRAW

WARD

WE ARE TIME
WE ALL DRAW

SAMIN SON & POP GROUP 

SHe's HITTTYRAP BIRTHDAYY


Ym

GN

I
HT

Tuesday, 27 September 2011

When Duchamp exhibited the urinal into the gallery space, he was challenging the notion of a traditional art practice and the framework of the dominant notion of a gallery. I think it was also Duchamp that was asked to curate an art show one time and he decided to have wires going across the room to make it harder for the audience to see the works or get close to them. Ready-mades. Great awakening. I am you and you are I. You are who I am and I am who you are. You will read this and you will regret this; at least it is what you will think. However you will actually thank me afterwards. What is up with languages? Languages seem to have too many structures around them. It is a form of communication where it is the most mainstream medium. Words. Vocabularies. Language creates barriers. They do not create barriers. Yes they do. No they do not. Yes they really do. People get tricked into thinking that language is a form where it helps people to understand each other, however it actually complicates things a lot more than it really is. People should be able to communicate with each other without speaking to each other, writing to each other even with sign languages also. People should be able to feel each other and get each others’ vibes. This idea may be too radical for some, however it is certainly worth it to think about it. My argument is not to really abandon the idea of language, however to break down its ideas that it contains. Even in this sentence I wrote “it” but the word it contains so many things in it that it’s almost a code, if language was used in a alternative sense to the point that people really used it to communicate with each other as precisely as they wanted others to understand themselves, yes it may get close to what they are saying, however it is still far off. This is not to say that we should be working on forever or until which point in time or what, however it is it. That is what it is. Abbreviated words. When I touched the Duchamp’s bicycle wheel in the MOMA in New York in 2010, it did not feel special. What am I saying here? People expect me to say that it felt special, however that is not what Duchamp wanted, well how do we actually know that it was what Duchamp wanted? Because all these books and quotes tell us so? So? SO? Nobody knows. Nobody ever knows. Even if Duchamp had a certain type of concept going through out his art practices, we still do not know what he was really thinking. We do not actually know that Duchamp might have been thinking about something completely different. For instance he would have also maybe disagreed with some of the ideas he put out there. We learn a language or multiple languages. Not only talking about being a bi-lingual to tri-lingual, etc. but I am pointing out that there are many different codes (also languages) that are created around what we would normally call languages. We also learn from these languages by using a language or languages. Is there a point in you reading what I am writing? I am going to say yes because I believe so. You may or may not agree with these ideas, however even if you believe what I am saying or believe that I am meaning what I am saying, still, at the end of the day we do not know whether I am meaning these things or not.

We then come back to the point where which thing actually matters. It matters. What matters to you? Does it matter you, worry you bother you or/and excite you?

Samin Son 2011

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Monday, 26 September 2011

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Sunday, 25 September 2011

Samin Son , Chaat-gi and YOU!


LIKE NO OTHER.

NONE GALLERY >NONE GALLERY >NONE GALLERY >NONE GALLERY >

NONE GALLERY PRESENTS>>
Samin Son's Hammer Piece

Performance and installation work by Samin Son

Audience Participatory

Opening night performance also includes music by

CHAAT-GI 
Korean Noise Band
max trevor & samin son

Poster Design by Eunsun Jeong

Photography by Eunsun Jeong

Photo of an installation work by Samin Son
in the back alley of 
The Russian Frost Farmers Gallery
Wellington New Zealand May 2011

"Before it got smashed"


OPENING NIGHT
7PM Friday 30th September

EXHIBITION OPENS FROM

Saturday 1st October->>
CLOSES ON
<<-Tuesday 4th October

2011

Samin Son is a Korean-born, Wellington-based artist who is currently studying for his BFA at Massey University. Son’s practice is multifaced, binding painting, sculpture and installation through performative strategies of dance, music and presence. In Hammer Piece Samin recodes the body based interests of 60s and 70s performance artists in a rehearsed paroxysm that is contemporary in its brevity and instantaneity.

For Hammer-Piece Son employs an everyday hammer as a brush in a negative painting where the surface of the canvas is pulled away, punched, beaten and driven inverse in a few short, thrilling moments. The artist’s endurance and meticulously directed aggression reference his experience of compulsory military service in the Korean army as well as his personal struggles with identity and race politics in his second home.

With each re-presentation Hammer Piece takes on new qualities, responding to its site. At The Russian Frost Farmers in Wellington the work was cramped, crowded and explosive in a narrow service alleyway covered in graffiti. In the experimental space of None Gallery the piece is set to change again.

By Henry Davidson 2011

http://none.org.nz/saminson

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.,

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Hello Jean Ed Min Cle

You were there

오전 1.31.17

Get Ed To Se

You wanted to feature in my book yes.


Here is the intro
:;


'

Part Three of Nobody else

WHO INSPIRES ME



YOURSELF
MYSELF
YOURSELVES
THEMSELVES

OURSELVES

You AND I 

me YOu they 

them 
HERRRR
him hiiiiii


,.

..

cycle

RESEARCH with Samin and Lance



LANCE CASH PHOTOGRAPHY

SAMIN SON MOVIE

MUSIC BY RESEARCH (The Band)

SSIP




Warhol
&&&
Zohn Zorn, Fred Frith & Yamatsuka Eye [LIVE]

u see
m

You Wheel Me On That Chair



Samin Son 2011

.,
.
.

No More Lives Dying Like Canjokujiyohjana









This is how we do it.

Let us show you it.
,
.
,
.,
.

CAGE FREE EGGS





Be Yourself Part #14

MY, OH I AM EXCITED

What I want to tell you and myself always.





Tuesday, 20 September 2011

Sunday, 18 September 2011

sbuvb

TO>YSH&YHM

SDDFSDF

WE ALL KOLLAB
KOREA TO THE REST
WORLD KOLLABORATE

WE ALL KOLLAB KOREA


WEFWE

WE ALL COLLABORATE
WE ALL COLLABORATE
WE ALL COLLABORATE
 WE ALL COLLABORATE 
 WE ALL COLLABORATE 
MIX COLLABORATION
MIX COLLABORATION
COREA TO THE REST
WORLD COLLABORATION


 

WAC




WE ALL COLLABORATE
WE ALL COLLABORATE
WE ALL COLLABORATE
 WE ALL COLLABORATE 
 WE ALL COLLABORATE 
MIX COLLABORATION
MIX COLLABORATION
COREA TO THE REST
WORLD COLLABORATION